It takes a gifted artist to become a great teacher and those who dare to teach never cease to learn.

Friday, February 16, 2018

Big, Bold and Bright


Brownea ariza - Rose of Venezuela by Pene Yerigan

When it is cold and windy outside, and the days are short we get inspiration from our tropical conservatory and learn about plants in the tropics and warmer latitudes. See more work from our recently completed colored pencil class by clicking here.

Salacca magnifica's spiny primary vein and part of the undivided leaf by Irene Young

Thursday, February 15, 2018

Icon painting in El Charco del Ingenio


(egg tempera and gold on linden wood by Laurence Pierson)

Would you like to spend a week in San Miguel de Allende, GTO Mexico and learn icon painting. We are again collaborating with El Charco del Ingenio Botanic Garden and Laurence Pierson, one of our excellent instructors will be teaching this five-day workshop (2500 pesos = US$135 for non-menbers) . Perfect timing on March 12-16, just before the Easter. At the moment there is only few seats available.
If you are interested, please contact El Charco by email: Charcodelingeniocomunicacion@gmail.com. 

(egg tempera and gold on linden wood by Laurence Pierson)

Thursday, February 8, 2018

Thurston Orchid Collection - a SBAI diploma work by Karen May



Stanhopea tigrina, watercolor on Arches paper by Karen May (painted from the artist's live plant)

At the end of January Karen May presented the synopsis of her independent study of orchids as part of her work toward a diploma in botanical illustration.

Masdevallia angulata, watercolor on Arches paper by Karen May (drawn from Thurston slides, an herbarium specimen, and a botanical illustration in the Thurston collection as reference)

Karen compiled and organized an extensive collection of documents, slides, photographs, illustrations, herbarium and live specimens accumulated during Mr. and Mrs. Thurston orchid expeditions mainly to Central and South America (1976-1985). 

Brassavola nodosa, colored pencils on Arches paper by Karen May (painted from the artist's live plant)

Karen spent the equivalent of 372 eight-hour workdays with this independent project. She organized and digitized 279 botanical illustrations, 2371 slides and over 260 photos, and indexed them to spreadsheet data. All the originals were organized in archival sleeves and folders, she also indexed the 159 Thurston collection herbarium specimens from the Kathryn Kalmbach Herbarium to a spreadsheet data. In addition to this she produced a 50-page document about the collection, and created 5 botanical illustrations from the species included the orchid material. 
Phragmipedium besseae, watercolor on Arches paper by Karen May (painted from the artist's live plant)

Karen provided historical perspective for the Thurston orchid collection. Her careful research and  ability to organize this collection helps us to understand and utilize it better in the future. Karen's meticulous work adds true value to the Thurston collection for Denver Botanic Gardens.

Psychopsis krameriana, watercolor on Arches paper by Karen May (painted from the artist's live plant)

Very well done – Congratulations Karen!



Friday, February 2, 2018

Plants with stimulate alkaloids from Africa in Cafe Botanique, Thursday Feb. 8

CAFÉ BOTANIQUE
Thursday, February 8, 6:30-8 p.m.
Gates Hall

Wild and cultivated stimulant plant qat in areas of historic cultivation
Mark P. Simmons, Ph.D. Colorado State University, Fort Collins

Qat (Catha edulis) is a woody plant native to eastern Africa that is cultivated for stimulant alkaloids. The wild origins and dispersal of cultivars have only been described in contradictory historical documents. Mark will present genetic evidence documenting the wild origins, human-mediated dispersal, and genetic divergence of cultivated qat compared to wild qat in Ethiopia, Kenya, and Yemen.


Dr. Mark Simmons is currently Professor and Curator of the herbarium at College of Natural Sciences, Colorado State University, Fort Collins.

Reserve your seat by clicking here

Tuesday, January 30, 2018

Getting started in January

Biodiversity and Hidden Links, Joanne Katz, graphite

January is almost over and all the daily activities in our classroom have resumed. In 2018 we are focusing on biodiversity and the hidden links in the nature. We will highlight organisms, both fungi and animals (including not only mammals, birds and reptiles but also insects and other invertebrates) which are connected and depending on the plant kingdom. 
Please follow this link to see some works from our entry level courses completed in January.

  Colored Pencil I, Toria Clark, colored pencil and graphite

Monday, January 22, 2018

Explore the William and Beatrice Thurston Orchid Collection with Karen May

 (Encyclia asperula added to the Denver Botanic Gardens' collection in 1977 with an accession # 772068*1, photo: M. Hjelmroos-Koski)

Exploring the William and Beatrice Thurston Orchid Collection with Karen May 

Sunday, January 28, 1-2:30 p.m.  
Gates Hall

In connection with the Orchid Showcase, join Karen May as she shares her research on Denver Botanic Gardens’ William and Beatrice Thurston Orchid Collection. Through field notes, photographs, specimens and botanical illustrations, learn more about this unique collection and the Thurstons’ passion for orchids.

Karen May received the Foundational Certificate in Botanical Illustration from Denver Botanic Gardens’ School of Botanical Art & Illustration in 2012. This presentation is part of her work towards a diploma in Botanical Illustration.

Café Botanique is a program within the School of Botanical Art and Illustration and is open to everyone. The 30-40 minute talk starts at 1 p.m. and is followed by a discussion. Café Botanique generally meets on select Wednesdays, each time with a different topic relating to Denver Botanic Gardens’ Botanical Illustration curriculum. Registration is mandatory.

Reserve your seat by following this link.

Friday, January 19, 2018

Welcome the Spring - Create a Garden Flag

(Libby Kyer, colored pencil)

Nothing welcomes spring and adds early color to your garden like a floral flag fluttering in the breeze. Banners and garden flags are a great way to display your personality as well as add color to your yard, porch or garden. They add that extra flair to your home.

Join Libby for a weekend of exploration and creativity that will energize your art. Create your own unique flag, working in colored pencil on paper or Pastel Board. Learn to create an image that sings spring. Then, using your own art, you’ll design your flag. Once digitized, your design will be printed on fabric.
Register here for the remaining seats.
(Libby Kyer, colored pencil)

Wednesday, January 17, 2018

2018 Artist in Residence positions with School of Botanical Art and Illustration!

Pleurothallis sp., a new orchid species from Colombia (done for an article by Prof. Mark Wilson, Colorado) that Işık Güner, Turkey rendered during her residency in 2017 at Denver Botanic Gardens, watercolor (please click to enlarge).

This is an exciting opportunity for up to three illustrators/artists to get involved in the daily happenings at Denver Botanic Gardens. Residents will document the day-to-day progress and changes in the Rocky Mountain plant world, interpreting the botanic gardens’ purpose as a place of preservation, conservation, education and diversity into images or works which bring others enjoyment and a deeper understanding of the environment some may never visit. The works completed under this residency contribute to the public understanding and appreciation of our gardens, and offer an opportunity to see our activities through the eyes of the contributing residents.
Thesummer 2018 residency provides an opportunity for the selected illustrator/artist to get involved in a variety of activities at the Denver Botanic Gardens, from participation in open studios, demonstrations and educational projects in the classroom or the Science Pyramid to developing a blog or other online documentation.

EXPECTATIONS
The resident is expected to contribute to the established priorities of Denver Botanic Gardens, negotiated and tailored to the resident’s own personal interests. The residency could involve participation in any of the following:
· Participation in Open Studios and presenting work in progress
· Educational workshops (including 3-day illustration course for botanical illustration students)
· Demonstrations for the public
· Working with illustrations for scientific publications
· The illustrator/artist is expected to spend five days/week on site, although this can vary from week to week depending on other professional commitments by prior agreement.
· The residency may involve presence during evenings and weekends.
· The resident must provide their own supplies, equipment, and logistics for their activities during the residency.
Ratibida columnifera,  watercolor by Işık Güner, completed during Işık's residency in 2017 (Please click to enlarge)

ON-SITE RESOURCES
Outdoor/Indoor studio space, access to the Gardens’ library, herbaria, classroom and Science Pyramid.

DURATION
This call for illustrators offers two residency opportunities, each for a period of six weeks:
1. July 10 – August 15
2. September 11 – October 16

FUNDING

The residency provides a stipend of $3,250 for each selected illustrator/artist to be used for both housing and materials. 

INTERNATIONAL RESIDENTS
· If the resident is from one of 62 countries with Tax Treaty benefits and the resident has an Individual Taxpayer Identification Number (ITIN), resident needs to complete Form 8233.
· If the above does not apply, the international resident must complete Form W-8BEN and the Gardens will need to withhold 30% of your payment, which you can apply to get refunded after the tax year.
· The resident needs to be proficient in English to gain the most from the experience.
  
DELIVERABLES
One completed original work from each selected illustrator/artist will become property of Denver Botanic Gardens.

OWNERSHIP
The resident holds the copyright and maintains intellectual property of the produced illustrations, but will give written permission to Denver Botanic Gardens to use or print images for publicity, publication, or retail product development with proper artist credit. When the resident reproduces artwork for their own purposes, publication information will include the language: “This artwork was produced under the Artist-In-Residence Program at Denver Botanic Gardens.”

ELIGIBILITY
The residencies are open to all illustrators/artists who have completed a certificate program in scientific illustration, botanical art and illustration, nature illustration or equivalent. Artists working in all media, including three dimensional applications, will be considered. The instructors of Denver Botanic Gardens School of Botanical Art and Illustration are not eligible for the residency.

Line drawing of Pleurothallis sp., Işık Günerink  (done for an article by Prof. Mark Wilson, Colorado) - please click to enlarge
The application should include:
·         A description of how you will respond to the opportunity and how this opportunity will develop your practice (not more than 500 words in length, typed and double spaced).
·         CV with two references
·         Link to your website and/or blog
·         5 examples of recent work in a low resolution format (not to exceed 2MB per image)
·         Your preference for the residency time period

Please email your application to SBAI@botanicgardens.org with Illustrator in Residency 2018 in the subject line.

TIMELINE
Closing date for submissions: February 28, 2018
Selection completed by March 15, 2018


Graphite sketch of Yucca glauca, Işık Güner during her residency in 2017 at Denver Botanic Gardens.


Wednesday, January 10, 2018

Joris Hoefnagel and Drawing on Tradition


2018 - New Year's theme, Susan Pinkney-Todd, ink

In our series Drawing in Tradition we concentrated in the style of Joris Hoefnagel (1542-1601) and the students created a composition with their own special treasures combining with calligraphic elements.
Joris Hoefnagel was a self-taught artist and was considered one of the first still life artists. He was a true Renaissance man, born in Belgium to wealthy merchant parents and was able to travel a lot when he was young. Hoefnagel traveled also with cartographer Abraham Ortelius recording his experiences in topographical drawings. Later he was hired as a court artist by Albrecht V, duke of Bavaria. In 1591 Hoefnagel was appointed court artist to Holy Roman Emperor Rudolf II to illuminate calligraphic texts. Hoefnagel was celebrated for his accurate studies of flora and fauna.

To see some of the works from this class, please click here.

by Yvonne Slifka, ink

Thursday, January 4, 2018

Genetic Diversity and Cannabis sativa - January 10, 6:30 p.m.

Cannabis sativa: What genetics tell us about the “devil’s lettuce”
Anna Schabe, M.S., UNC, Greely

Cannabis sativa is a multi-billion dollar crop, and yet, relatively little is understood about genetic relationships among varietals and the wide phenotypic diversity within the species. Decades of prohibition have severely delayed Cannabis research, and, as such, there are large gaps in our scientific understanding of this incredibly important plant. Multiple genetic studies show variation within strains, which is problematic for consumers expecting specific effects.


Anna Schwabe, M.S. is a doctoral candidate at the University of Northern Colorado. Anna has strong connections with Denver Botanic Gardens as she is not only a graduate of the School of Botanical Art & Illustration, but she is also the former manager of the Research and Conservation genetics lab. Although she wears many hats, she considers herself an evolutionary biologist. Her current research uses a multifaceted approach to determine relationships in Cannabis sativa. Ultimately, she aims to answer questions surrounding variation observed within strains of plants that are largely propagated through cloning.
CAFÉ BOTANIQUE
Wednesday, January 10, 6:30-8 p.m.
Gates Hall
Follow this link to reserve your seat